Can we ever truly understand anything beyond our own mind? If not, do assumptions form the backdrop of all human behavior? What assumptions do we make about others, and how does this affect our interactions? “The Solipsist” is a story about a clash of cultures, where either side is perhaps a little too certain of its understanding of the way things are and should be.
In “Expanded Disco,” Britain has been fractured by ideological differences leaving cities resembling the surface of the moon and a proliferating network of tunnels to separate newly forming factions. Tunnel bureaucrats have been elevated to absolute power so long as the conflict continues. A Commander must dismantle the bureaucrats’ “conflict is freedom” ideology in order to be reunited with his family.
The question of “why do we protest”? is easy to answer. When and how we protest are more complicated questions with blurred lines and no easy answers. What are the results from lines crossed or limits reached? How does the severity of the injustice relate to the medium of revolt? In these works, the artist investigates the methods of loud and quiet violence that are the result of public and private suffering. He takes a look at the scene without context, so we may ask “what emotions bring individuals to this point and how do we react upon seeing it expressed”?
Human civilizations have evolved as humans have, culminating in advanced societies of social and cultural organization. Despite humanity’s success on a grand scale, do the current protests, threats to peace, and societal discontent foreshadow the demise of one of the world’s leading hegemonies? Is it human nature to incite violence and encourage chaos, destroying what we’d once created? How can we utilize the relics of last week’s civilization to rebuild?
September 11th shook a nation — it still haunts the USA today. This memoir piece marks an emotional journey, and the physical complication of flying a few days after the terrorist attack to a memorial service of someone killed in the second plane. It is a reminder that life is temporary, and to live fully despite this.
How do ideals interfere with our ability to perceive reality? Is a jaded person just an optimist who encountered reality? This poem touches on the experience of reacting to things outside one’s control to the point at which it breaks one down.
The piece deals primarily with the absence of home, solitude, silence, secrecy, the passage of time, individual memory, and the willingness to admit and wrestle with contradictions, anger, destruction, and creation. How do we deal with contradictions in ourselves? Do we know they’re there? How does prolonged silence, uninterrupted aloneness, or living without a home affect the individual mind? How resilient are we against the human traumas we put ourselves through?
All human societies are well acquainted with unnecessary violence — but can we change this? Are the conditions under which humans live such that unnecessary violence is an integral feature of our human nature? At what level (e.g. individual, societal, national) do changes need to take place to rectify our fatal human flaw of pathological violence?
DISCLAIMER: The following artworks feature violence and sexual content.
Does the current government of the United States reflect the founding fathers’ views? As a society, do we value unalienable rights, individual liberty, and self-reliance, or the illusion of morality to control citizens? How can we move away from oligarchic principles and move toward the virtue of Republicanism?
Can understanding the political trauma of the past help to contextualize the present?