How does human existence serve to continually alter our environment? Are we destroying the very ground we require to survive? The “Transitory Space” series deals with urban and natural locations that are transforming due to the passage of time, altered natural conditions, and a continual human imprint. It articulates fluctuations in the photographic image and captures movements through time, perception, and space.
How do governments, societal groups, and individuals respond to national and international crises? “And so I went to Peter’s well” is a polemic regarding the world water crisis, specifically the activities of the Nestlé Corporation and its continuous pillage. The title references an Austrian Folksong that reflects the late CEO’s name, and he quoted another folksong in a documentary which the poet quotes in the epigram. The words serve as a chorus. “Threnody” was written when 50,000 people had died from COVID-19, which was more than the population of the town the poet grew up in. Now, with over 1 million deaths from COVID-19 worldwide, it is important to take a step back and analyze national responses around the globe. Are some nations better prepared to deal with crises than others? What accounts for the differences and how can we improve national and international management to safeguard against inevitable tragedy?
Is the future of humanity threatened by scientific and technological advancements? In the merging of man with machines, is our collective earthly and worldly human condition endangered? What will we become if and when we are not bound by this earth?