How does one visualize the body from outside while living inside of one? How do we take steps in our individual, personal journeys of accepting ourselves for what and how we are? How do we (especially women) fight against the social pressure to be a certain form or shape? In Sanskrit, “kaya” means “physical body.” In this visual art series, the clear lines suggest the acceptance of oneself, while the surrounding cloud represents society. The use of primary colors is intentional, signifying the basic instinct one needs for freedom. The journey of understanding the universe starts from undressing the fears of one’s soul and accepting them unconditionally.
How are stereotypes helpful? What can we do to curtail unhelpful assumptions? “Two Chicken Platters” explores how the presumptions we make are so often superficial and ignore the nuances of human suffering.