How are gendered patterns of behavior ingrained within human beings? Do certain societies seem to praise and prioritize a particular gender above the other(s)? How does viewing the world through a gendered lens determine our values? According to this visual artist, if the human race has hope for rectifying its wrongs, it must prioritize its lost feminine side.
In the following artworks, I turn to the problem of prohibitions and censorship in modern society. The mass media space creates a fake reality around us, like sweet candy enticing us down the wrong path. Ultimately, our reality is distorted by fake idols and the promise of freedom.
The following digital collages intend to question outdated social and cultural norms and behaviors, and stimulate a critical conversation leading to change by liberating human experience from the boundaries of conformism. The artist draws inspiration from music, society, literature, ukio-e, and sci-fi; and often repurposes lighthearted vintage imagery to explore themes such as feminism, mental health, and human interactions.
How can negative emotional experiences be transformed into opportunities for individual growth?
“This past August, the universe delivered to me the ocean as my higher power when in a deep depression. Though I cannot hold onto water, I can hold it in a special place in my heart. I love to take long walks on the beach to be in the presence of the water, and to witness the ocean’s vastness, blueness, and beauty.” — Sophia Falco
The human body is infinitely amazing, particularly in its ability to move through space in small increments. The pieces in this series of digital paintings freeze some of these intricate and complex instants that occur when our muscles engage — with or without our conscious thought — in activities that require the full participation of our beings with another thing or person.
What is human life? We never quite have a full grasp on the whole, as it’s always just out of reach. The following visual art series is a parable on man’s destiny and his relationship with what is beyond. The conceptual and philosophical dialogue among different positions combines the downfall of an old world with the human tendency for something exalted. In both cases, what is interesting is not what is factually happening, but how we see reality and the world, and how we project in them our inner thoughts and feelings.
How does human existence serve to continually alter our environment? Are we destroying the very ground we require to survive? The “Transitory Space” series deals with urban and natural locations that are transforming due to the passage of time, altered natural conditions, and a continual human imprint. It articulates fluctuations in the photographic image and captures movements through time, perception, and space.
The tragedy associated with addiction leaves its mark on those who are left living. But what kind of life is it when grief snowballs into melancholy because of addiction’s unforgiving hold and the ensuing senseless death? The following visual art series details the melancholy created by opioid addiction. The images detail a mourner weeping due to the loss of a friend.
How often do you question your existence or the existence of others? Can we ever feel completely certain of the external world (or even our own inner world)? The following visual art series, “Disintegral,” focuses on the alienating effects of dissociative disorders, in which the sufferer feels fragmented, solipsistic, and unreal. “Disintegral” focuses on this fragmentary feeling through a series of pen and ink drawings.
The following inventory project is intertwined with the pain of restricted freedom of movement in this current health crisis period. From this grounded place, a longing for intimate places outside the confines of the home arises. Each of these images is part of an inventory count of moments that were taken for granted and are no longer so.