How are stereotypes helpful? What can we do to curtail unhelpful assumptions? “Two Chicken Platters” explores how the presumptions we make are so often superficial and ignore the nuances of human suffering.
“The Bully” deals with the rational human fear of mortality and suggests that anger is born from that fear. There is also an implication that bullying behavior often comes from a lack of consciousness rather than simply an aggressive posture, and that a lack of consciousness — being inattentive to the suffering of others or numb to the world — is a poor coping strategy implemented by so-called bullies to try to stave off the reality of mortality. It also offers that a shared human connection in terms of acknowledgement regarding the tyranny of mortality can lessen suffering and, therefore, reduce fear and anger. **Based on a true story.**
“The Ones Who are Left Behind: An Armenian Story” details the close relationship the author had with her great aunt (who witnessed the murder of her family), the author’s search for identity, and a reckoning with a brutal collective past. The essay explores how trauma can travel through generations as the author self-reflects on her struggle to harness her emotions to get better, not bitter. Nestled within this personal essay, there is a universal message of hope and healing from suffering and loss.
The question of “why do we protest”? is easy to answer. When and how we protest are more complicated questions with blurred lines and no easy answers. What are the results from lines crossed or limits reached? How does the severity of the injustice relate to the medium of revolt? In these works, the artist investigates the methods of loud and quiet violence that are the result of public and private suffering. He takes a look at the scene without context, so we may ask “what emotions bring individuals to this point and how do we react upon seeing it expressed”?