A common human experience is feeling our differences outweigh our similarities, amounting to the formation of groups we feel we can identify with. The formation of socio-political groups based on religion, race, social background, or class (i.e. identity politics) has become a primary feature of the modern culture wars in the United States as a method for rectifying historical wrongs and engaging with social justice — but is this way of thinking helping? “Lafayette #2” grapples with these cultural qualms and what it means to hold a particular identity amidst societal upheaval.
Appearing in Leviticus, the concept of a scapegoat is that of two goats — while one is sacrificed, the other is released into the wilderness to carry the sins of the community. Family dynamics and the process of development can lead to the scapegoating of a family member, as someone unfairly blamed for the errors of the group. How does a process such as this taint an individual’s worldview, faith, or trust in others?
As we age, a common human experience is losing faith in the institutions we grew up believing in (i.e. family, government, economy, education, and religion). Is the American medical industry an institution we should have faith in, or not? Could it be causing unnecessary harm by promoting the invention of diseases, utilizing erroneous mental health categories, and informing its practices on funding? What are the positives of the American medical industry when compared to other countries? How do we fix the errors of this American institution to purely reflect an apolitical agenda intent on servicing those in need?
The following poems address the failure of the current US administration to respond to the pandemic, as well as its systematic denial of science and sidestepping of the Constitution and Rule of Law. The lies, abandonment of responsibility, and stoking of divisiveness have caused and continue to cause fear, chaos, hatred, violence, and death.
September 11th shook a nation — it still haunts the USA today. This memoir piece marks an emotional journey, and the physical complication of flying a few days after the terrorist attack to a memorial service of someone killed in the second plane. It is a reminder that life is temporary, and to live fully despite this.
How important is the organization of society when it comes to individual mental health? The following allegorical short story addresses the impact of ideological brainwashing, its self-perpetuating cycle, its destruction of its opponents, and the pushback necessary to create a balanced society composed of free-thinking individuals.
What experiences shape our life trajectories and sense of self? What roles do family heritage, state formation, and linguistic and cultural barriers have in creating a person? Are we just byproducts of events and nature, both outside our control? The following personal essay focuses on the author’s background as a refugee from the former Yugoslavia and makes the case for why we should think of the ‘refugee experience’ as a distinct category from the larger ‘immigrant experience.’ The author argues that because refugees are forcibly displaced from their home countries, they have a unique relationship both to the places from which they had to leave as well as the places in which they ultimately end up.
How important are reflective, contemplative, and calming experiences for individual growth? Is the modern world priming us to need more of these moments or less? Is self-doubt required for personal development?
How does art act as an indication of societal upheaval? This unique piece combines personal narrative and art history to remind us the roles we play are often conditioned by the structures we rail against.
The following sculptures incorporate surrealistic, mythological and magical imagery — often with whimsical overtones — aimed at provoking our experiences and self-reflections. Intending to unbalance our rational minds, the predominant imagery deals mostly with facial expressions of both living and “non-living” beings, and things that speak to us in their own languages. They are textural, metallic and mixed media assemblages that have been assembled, disassembled and reassembled, becoming abstractions unto themselves.